LIFE & PATHWAYS

I live and work at the thresholds—between sound and silence, matter and memory, structure and intuition.
What began as formal training in classical music and philosophy has unfolded into a fluid, multidimensional practice across music, visual art, scent, ceramics, and digital media. My hands move between instruments as seamlessly as they hold a brush, shape clay, or capture light through the lens. The ear guides the eye; rhythm emerges in breath, form, and gesture.

I was born into the world of theatre—where voice, space, art and story constantly intertwine. This early immersion awakened a lifelong devotion to crossing boundaries between disciplines, and to attuning to the invisible forces that shape experience. While studying at the University of Music and Performing Arts Vienna and the Academy of Fine Arts, I began developing an independent language that merged philosophy with sensory exploration.

Painting and photography have remained steady companions—ways of framing silence, catching shadow, and translating inner states into visual texture. Over time, my practice expanded further: into composition, olfactory installations, ceramics, and audio-reactive visual systems. But at its core, my work remains a search for resonance—for the architectures that move beneath perception.

Each step has brought me closer to the root of my work: aesthetic alchemy. The art of transformation, not just through form, but through perception itself.

ARTISTIC PRACTICE

My work is rooted in Aesthetic Alchemy—the transformation of perception into form.
This is not a metaphor, but a lived process: a way of composing across sound, image, material, and space to make the invisible perceptible. Through this alchemical lens, each work becomes a transmutation—a weaving of sensory impressions into new realities.

The perceptual foundation of this process is synesthesia. I perceive sound as color, scent as moving shape, physical touch as textured fields of color. This cross-sensory way of knowing guides everything I create—whether composing, sculpting, painting, or listening to the silent geometries of a space.

Ceramics, for me, are sculpted rhythm. Scent is ephemeral architecture. Music is structured space-time. Painting becomes a vibration of stillness. Photography, a way of catching breath in light. In each, the boundary between material and immaterial softens, revealing the underlying resonance that connects them.

My practice bridges ancient and contemporary ways of knowing—drawing from Renaissance curiosity, spatial and scientific research, and the deep intelligence of the senses. Each project emerges as a living system, where disciplines dissolve and reassemble, shaped by time, intuition, and the intimacy of attention.

This is not a practice bound by genre, but a field of transmutation—where silence becomes form, and form becomes invitation.