Filmmaker Johnnie Behiri made a little documentary about me.

Click here to watch it.


A set of small format aquarelles, inspired by the Croatian sea.

A0520NIV - A0520NVII (2020), Aquarelle and pearlescent gold pigment on paper, 17 x 12 cm 


I am teaming up with Universal Edition who will publish and distribute all my compositions. They will launch a brand new system very soon and I am happy to be a testimonial. My compositions will be available from autumn. 


Introducing woodcut and etching to my creative palette. 

Copper I & Zinc I (2020), cold needle etching, printed on paper, 10 x 15 cm


February meant going back to smaller sized aquarelles after quite a few large format abstract paintings. Gold became the red thread throughout the mediums, new shapes and gestures have been explored.

A0220NVIIA0220NVIII (2020), Aquarelle and gold pigment on paper, 30,5 x 22,9 cm


2020 demands for new ways of expression, new formats, new gestures. I doubled my canvas sizes, switched the brush for new tools and use layers upon layers of paint to create works with more depth. 

Transformation I (2020), acrylic on canvas, 120x160cm

Ausbruch I (2020), acrylic on canvas, 100x150cm

Ausbruch II (2020), acrylic on canvas, 100x80cm


I finished my commissioned composition "Calamitas" for orchestra and choir on the last day of the year.

It will premiere February 7th in Cluj, Romania, performed by the philharmonic orchestra and choir of Cluj, conducted by Gottfried Rabl.


Another set of aquarelles that use salt, ink and pearlescent pigments. I decided to use a small format in order to concentrate shapes and textures into their essence.

A1219NIII - A1219NVIII (2019), aquarelle, salt, ink/pencil and pearlescent pigment on cold pressed paper, 14,8 x 10,5 cm


Five of these works were created during a stay in Germany. As usual I transformed my hotel room into a little studio. The last piece was created after my return home.

D1219NI - D1219NV & A1219NI (2019), aquarelle and ink on cold pressed paper, 24 x 32 cm


In addition to the use of gold and other pearlescent pigments I have introduced salt to my aquarelle works.

A1119NI - A1119NVIII (2019), aquarelle and salt on cold pressed paper, various sizes


Shifting back from a completely abstract use of oil to a more figurative one. The strokes have become thicker, eventually changing from a utilisation of brushes to knife.


These five compositions have premiered this year. Dreams of Lunacy and Archipelago in Romania, Static Pointillism, Reset and Rhizom in Vienna, Austria at Wien Modern.

The covers are aquarelles I made this year.

Using Format